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Feb. 25th, 2010
Round two entrants will be announced

March 23rd, 2010
Quarterfinalists will be announced

April 27th, 2010
Semifinalists will be announced

May 25th, 2010 12:01 AM EST
Finalists will be announced, voting begins

June 2nd, 2010 11:59 PM EST
Voting ends

June 14th, 2010
Grand prize winners will be announced

Here we go – just 16 days till Round 2. Mild case of the jitters here.

Offtopic, I may well be getting the nasty flu that’s going around my office and home alike. It’s the busy season at the day job. Eeesh. Bad timing. But on a slightly lighter part, if I’m sick as a dog and at home, I can maybe finish writing!

I hope.

K.G.

It just hit me, in a surge of pure retrospect, the enormity of entering Amazon Breakthrough Novel Awards. The submission period closed yesterday at midnight. I entered.

I know, I know, so did a couple thousand other people with unpublished or self-published novels. I’m sure the same thing was the case with the Nashville Book Festival. I sure as hell didn’t expect to get any sort of an accolade from Nashville and ended up taking an honorable mention with no preamble to speak of. So the fact that ABNA will announce nothing until 20 days from now (give or take) is utterly nerveracking.

There’s also the fact that I am no great shakes at writing pitches and the first round is based solely on the pitch. The one I have that’s hanging on the site right now is subject to change and I did not use it; I used an amalgamation of the Write A New Blurb contest entry and my friend’s input to enter. I think it’s miles better than what I had before and nonetheless, if only not to get my own hopes up, I’m betting that I would not make it past the first round.

Thing is, this truly is an enormous event. Contract with Penguin, a cash prize, accolades and press – that is something an aspiring author dreams about. It’s kind of a writer’s Olympics, in a sense – you’re competing for the gold in the one skill that you specialize in. This year, it’s both general and YA fiction, unpublished and self-published that are open for consideration. To NaNoWriMo participants, it’s the ideal opening and this is the very thing I want to see: a participant taking a win in this, even if it isn’t me. How many talented, creative authors go without acknowledgment because they’re not signed with a publishing house? Only too many. It’s also why I keep this blog, to hopefully encourage other creative people to try an independent venture. This contest is a major deal, first and foremost because it could grant a fledgling creative person a chance at success that they spent ages thinking/dreaming about.

I’m both excited and nervous. Excited in general, nervous because for the life of me, I have no clue what to expect – and I usually have a pretty reliable intuition. This is…seriously, it’s major. I’m still having some trouble reconciling doing this with how it all really began: in 2006, on night shift, with a contest and a dream.

In other news, I’m back on the creative grind with Book 4. It’s only a half a scene so far, but it’s better than staring at a scene summary and being completely writer’s-blocked insofar as actually visualizing the entire damn thing.I’m actually able to put the words down and let things flow. Finally.

Until next time…

K.G.

Courtesy of Jenna Bacci, behind the cut.

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Underground

The past couple of days started me thinking about a major part of my city; one that is usually either ignored or otherwise overlooked as the standard part of life in NY. The subway is one of our oldest structures and, in my opinion, one of the most telling.

I wrote an entry about this before, in this post about 9/11 and the Cortlandt Street station in the Financial District. The station, until recently, always looked frozen in time once the debris were cleared out.

Until now. The Manhattan-bound service has finally been restored to Cortlandt Street.

Truthfully, while I’m glad, I would’ve much rather kept the station as a perennial, permanent ghost. As our stations now are getting updated – the BMT line closed down several stations to renovate them – it feels as though parts of the city’s oldest history are getting lost. History is not always in a museum and, although the Transit Museum is an amazing thing, the history of the subway is something best witnessed in action.

For example, the A/C/G station of Hoyt-Schermerhorn. First of all, its layout is ridiculous; if you take the Queens-bound G crosstown, across the platform is the Manhattan-bound A. Logic normally dictates that in a transfer station, the train across the platform heads into the same direction. Four directions, four tracks, laid out in a pattern that’s decipherable only by the white-on-black signs written in Arial bold that designate which line going where stops at what track.

In trying to decipher the direction, the average commuter doesn’t generally pay attention to the far platforms of the station. Just beyond the A/C track is another platform, another set of tracks, neither of which was used since the 1970s at the very least. In contrast to the ever-busy, milling-with-people transfer point, these two platforms are completely frozen in time. You don’t ask when those stations quit being used. You just know that they no longer are.

Similar thing with the old subway tunnels that are now either being renovated to be put back into service or serve already as an auxiliary set of tracks for weekend express service changes – rare though it is to have an express train on the weekends. If you’re on the F line and the service is changed for express from Church Avenue to Jay  Street, likely the train wilol take the express tunnel. Sharp eyes who watched Rent may be able to peg the F-line Church Avenue station as where certain scenes were filmed, but likely, they won’t think about the abandoned service platform that’s somewhere between Ft. Hamilton Parkway and Prospect Park. There’s something similar underneath the Bergen Street stop as well.

It’s been some years since I’ve been rerouted into the tunnel, but there’s something about seeing aged painting supplies, ladders, poorly lit stairwells going towards the ground that resonates with me. And all of that to me says, this is history. This is New York’s underground history that people don’t think about, because they may never have a reason to.

Think about it. NYC’s subway system is a century old. That’s a hundred years of changes, additions, alterations, but all you see now is the current result. The new R160 train models with the automated announcements are definitely miles above the 1950s train car with a pastel-blue paint job and happy smiling advertisements of household products that is now parked in the Transit Museum. Stations are being renovated left and right – eventually, only archives will tell you what train line ran along an abandoned platform in a busy station setting.

History is everywhere – especially if you don’t see it at first.

A bit of irony.

Not too long ago, I mentioned that I’d love to have a bit more music going on.

I got what I asked for: on the same day that I’ll be going to Berks Jazz Fest, Spyro Gyra is playing at the Nokia Theatre in NY.

I love Spyro Gyra.

And, of course, I can be in only one place at a time.

My decision’s made for me on this one – Berks!! Been waiting way too long to go there, got my tickets already and, truthfully, I wouldn’t miss the big jam there for anything.

My next jazz venture (unless something pops up within the next 2-3 weeks!!) will be Chuck Loeb, hopefully. He has a local show coming up.

Ahh, decisions decisions…

K.G.

The muse is a fickle thing indeed.

Seeing as I finished a major project in my third job – long story there, one that I’ll share a bit later on, I’m certain – I was hankering to get some writing done. The sceneblocked finish to Book 4 had been teasing me from afar, akin to the proverbial carrot on a string. Now I know how Tantalus felt in the ancient Greek mythology…it’s just out of reach.

Simultaneously, Gayle had done an amazing job (hello dear!) on the edits. I am midway through correcting Chapter 5 to her specifications and she pointed out a few adjustments to a couple of scenes – also points to consider. The problem is, of course, the author, that is to say yours truly. In other words…my concentration is shit at the moment. And the hell with self-censoring; this had gone on for the better part of too damn long, I’m frustrated with the muse’s fickleness and my own inability to focus and therefore doing about 4 things at once.

But hey – the Completed Project looks spectacular. And that is encouraging in many, many ways.

So far, however, all is well. I woke up smiling this morning, in part from the amazing generosity I received from a friend yesterday. I think that can well be used as a springboard back into the semi-mythical adventures that I write about.

Here’s to your smiles, dear readers, today and many days to follow.

K.G.

New Feature!

Thanks once again to the Caper Journal mastermind and all-around powerhouse Lisa Marie Basile for her feature on me.

Link also placed in The Author section on the site.

K.G.

Minor update is in the works, and its name is A.B.N.A. Better known as…Amazon Breakthrough Novel Awards. And this is the first year they’re accepting self-published authors!

Needless to say, I entered. Am a little shaky, am a little bit…I don’t know, just nervous, but this is awesome. The possibilities are great; the winner gets a couple of grand and a contract with Penguin Publishing. I am not a fan of turning over my rights to the book in the event of a win – my inner control freak rears her head on this one – but considering it takes an act of Deity of Choice to get an agent and a publishing house nowadays, I am hardly going to complain.

So yes, my lovely readers, cross your fingers.

Book 4 will be done…agh, whenever it will be done. I can’t really sleep lately, but that’s for different reasons, most unrelated to writerly things. And I just got another editing session on with Book 2. Awesome!

Geez, man.

So the Amazon thing. As you may recall, I had an incident where I noticed that there was a seller that had my book advertised for over a thousand dollars. I find it all rather funny, truth be told.

Well, what’s with the sellers listing my book as used?

To recap: I am self-published via CreateSpace. The distribution channels of CreateSpace, while getting better, are still pretty limited. The primary seller on the Amazon site is, in fact, Amason.That and I will be honest with you: sales had been lackluster and certainly I do not see how this could have ended up as ‘used’, seeing as no one that is listing it as used is, well, a real person.

So I shot off an email to one of the sellers and I’m now curious. How do they acquire their copies? And if this is part of the Amazon agreement, okay – that is fine, except I’d like to see the mechanics of it. I know for a fact that I retain my copyright via CreateSpace, but at the worst, I may consider shopping for an agent after Book 2 and selling the rights to a major publishing house. I would like to have my book not carried by scammers.

Third-party sellers I can live with. Just tell me the how.

K.G.

Dear WordPress,

90 spam comments? What the hell? That’s with Akismet?

E-gad.

Kat.

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