Updates! New cover! Book 4!

So apparently someone found me by Googling “kg creative writing my best toy”. Wha-huh? Okay.

Now. It’s March in New York City, it’s pushing at the corporate tax deadline, so this is coming to you on a very quick tea break, because lunch has become something I work through. Phone just doesn’t stop ringing, and paper just doesn’t stop flying at this time of year in my world.

So! Onwards to the news du jour in writing, my series, the world…you get the idea.

I’m not keeping an eye too closely on sales right now, and I have realized that Goodreads also has e-book uploads available. I have messaged them and asked them to take down Book 1’s e-book upload.

Now. Considering that I’m effectively ceasing distribution of Book 1 through any medium other than Kindle and print, if you have a Nook and would like to read the first book in the series, per KDP Select terms of service, I can’t distribute it through electronic means other than Amazon for 90 days. Kindle has computer-ready reading apps for every operating system, so please download. Google “Kindle for PC” or “Kindle for Mac” and enjoy. Kindle comes in app form for your mobile device of choice too. After the 90 days, please contact me directly; I’ll be able to take a look at the TOS and tell you for sure when/if I can re-release Book 1 for Nook. I will not go back to Smashwords, and I will explore iBook uploads at a later point as well.

I won’t be able to keep an eye on the numbers in KDP Select much either, damned tax season… But I’ll keep everyone who’s reading posted on how it goes. Part of me is debating pulling the entire series off Nook and enrolling it, but first let’s see how March pans out.

The first prototype for the cover. Image copyright (c) Marion Meadows, used with permission.

Now! I’ve been noodling around with the prototypes for the cover of Book 4. Jenna is working on the character art that will comprise part of the wraparound, but I have yet to see what’ll unfold. I do know one thing: Marion Meadows’s scenery artwork knows no comparison. Case in point, have a glimpse at the first prototype…and I will likely keep it as the main cover, and work around it with the character art.

The fonts may change, and I definitely want some characters in there. Jenna, however, rocks that bit, and I got a glimpse, via email, of what to expect for one of the characters of whom it can be said that she is much-maligned.

The other thing is, I’m trying a new style with the font. Considering that The Index is so named because it’s a collection of the characters’ stories, I had always delineated them with Book 1, Book 2, etc. This time, I’m showing the number in the series by background Roman numerals, and I think I will carry this style forward to the second arc. It’s a little more…I won’t quite say grown up, but it’s definitely a step up from the previous version.

This brings me to the marketing angle of all of this. The postcards that had done a great job with Book 3? I will recreate them with this cover image, and harness the QR codes for sales purposes. If I can, somehow, miraculously, turn this around before Newport Beach, I will be good for maybe, hopefully, turning a good sales number for the launch.

Now, far as the launch…

Ladies and gentlemen, this one is for you: if you would like to beta read/review Book 4, please let me know privately. You may do so via Facebook, Twitter Direct Messaging, email, or a comment to this blog. I won’t be able to give you an e-book as a pre-release, but I will happily give you a PDF. Please keep in mind that the rewrite/edit is ongoing, and it may be a while until you receive the file. But if I can at least know who’s interested, that would be great. And remember: post your review, whether on your blog, the Amazon page for the book, or Goodreads.

Also! If there will be opportunity, I am thinking of engineering a blog tour for the launch. Again, if you’d like to have me, just message me.

I will have some copies for giveaway, and if financial opportunity allows (because the promo copies from CreateSpace, though cheap, still cost money), I am thinking of holding giveaways for the entire first arc set. Four books, ladies and gents, and it is a story that has been my heart and soul for the past six years. Additionally, Jenna has told me that she wants to re-do the covers for Books 1 and 2, so there’s a pretty good chance that the covers that you will see on those two books will be wholly different from the covers that you see in Amazon right now.

Man, this is…happening. Holy crap, I have a book series, and I’m about to launch another one, aren’t I…

Major, major, major thanks to Marion Meadows (yes, the same guy who plays the sax, in case anyone wonders) for letting me use his artwork for my books. It’s truly stellar. He also dabbles pretty heavily in photography, and you can buy his 2012 calendar, featuring various shots taken in Hawaii, right here. Warning: will not be held responsible for anyone’s urge to drop money on a flight to Maui. (and yes, I almost did that, until I balked at the price. Dammit!!!)

Also, I should perhaps mention that the bulk of this has been written in November of 2009, when I boarded a plane and ended up in Montego Bay, Jamaica, with Warren Hill and the rest of the Jammin’ in Jamaica attendees. This festival/music retreat had not repeated since, which I am quite sad about, because…the Ritz-Carlton resort in Montego Bay defies the definition of beautiful. And I have to thank Warren for organizing that one event, because I was able to win NaNoWriMo 2009 while gazing at a beautiful beach.

As far as the anthology – I’m now wondering. If I submit any of the short stories to magazines and online publications, would I still be able to publish them in the antho? Maybe?

I’m also starting to wonder if the Haunted Nightclub series I have been thinking about is even feasible. I do not want it to come off as fanfiction (because really, I’m WAY past that age), but I definitely see it happening in a surreal, dream-sequence-type of story. I just really don’t want to cross certain lines in a story like this, because it will obviously feature and concern some real individuals (though deceased). So…yes, time for me to do some thinking, and some planning.

Oh, and… Gayle is writing a small side-story to Book 3. :) Its start is hilarious, and I cannot wait to see what she had cooked up after Jason and Kai have their initial repartee.

Until next time…

K.G.

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About Kat G

Sci-fi author. Jazz aficionado, an all-around enjoyer of peace, quiet, beauty, and contemplation.
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2 Responses to Updates! New cover! Book 4!

  1. Looking at the cover again, a tiny note: If you want the IV to fall into the background, maybe transparency the text down to 60 or 70%. It’ll also make “Revival” look more like it’s popping out like, you know, a revival.

    That tiny note aside: It is a damned fine cover. I love the atmosphere.

    And I should have some story notes to you tonight for that side piece (and hopefully at least another asterisk to asterisk edit).

    You should be able to antho whatever work you send into magazines, just make sure to check their rules for publication. Most online markets reserve first electronic publication rights (they publish it first), but after that, it reverts to you. I’m going to be working a 90-day rule for my upcoming work. For the first 90 days, you can only read it by visiting where it’s published. After 90, I’ll make it available in some form or another on my own while still linking back to the original publication. It’s basically what I’m running now, but I’m actually remembering to give the publisher some time to do some legwork for me. The 90-day lead time also gives me time to get the pieces prepped for what to do next (antho, ebook, etc.).

    • Awesome suggestions. I’ll play with it, and see if I can emboss or bevel the IV. Just give it a little bit of extra oomph. Revival can be in Cracked or Courier, kind of to give it a little creep-factor. Maybe? Possibly?

      Thanks for the tips. I have to think about a lot involving the antho, including but not limited to royalty distribution for any contributors. This is a massive project, I think.

      I love, love, love the atmosphere of this piece. Props to Marion.

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