Back on Nook for Christmas!!!!

Ladies and gents, a small announcement.

Because in part I got tired of having only one digi-medium, and in another part because it’s Christmas, I’ve temporarily disabled my subscription to KDP Select. Don’t get me wrong: I love my KDP Select a lot. It’s garnered me a lot of exposure, and more sales than I’ve seen so far. However, it’s not enough right now.

In other words: I’m back on Nook now through Dec. 31st!

http://www.barnesandnoble.com/c/katherine-gilraine

Nook lovers, rejoice, for this one is all for you. Grab my books while you got ’em on there, and don’t be afraid to review.

Kindlers, your link is here: http://www.amazon.com/author/katherinegilraine

And of course, you can find the hard copies through either medium as well.

K.G.

E-book vs. Print Book

Or, better put, more on the “real book” illusion.

You may have noticed that a lot of self-pub authors are not releasing print versions of their books anymore, but instead are going right to the e-book process. As a result, they are apt to hear, “But it’s not a real book!” for various reasons. I’ve addressed the genre-based prejudice of the “real book” here. But now let’s talk presentation medium.

In 1440 or thereabout, Johannes Gutenberg invented the printing press. Prior to this, books have been handwritten, hand-copied, and the more effort put into a copy, the more it cost. As such, they became signifiers of wealth for the longest time, until the printing press enabled mass production of print material, making books more easily accessible. The Industrial Revolution took over and made print reading material available widely.

Until the e-reader was invented, people just could not conceive of a book being presented any other way but printed.

That was in 2007.

Think about that: the e-reader has been around for only five years, and it already changed the way books are presented, and 562 years of precedent is shaken up. Just like that. With a page-sized electronic device.

However, think about this. That’s the e-reader. Not necessarily the e-book. The Internet has, inadvertently, made us all online readers since e-mail became the norm. E-reading is the same thing as what you’re doing now, except it’s on a handheld device.

Think about it. You’re reading this blog right now. I have enough entries in here to publish it as a book in and of itself. If you’ve stayed with it for some years, you’ve effectively read a book online already. If you’ve read a draft of a story online – congratulations, you read an e-book. Just not on an e-reader, but an e-book nonetheless.

No matter how solid a printed book feels – and I will be the last to deny a printed book’s effect; I have paperback versions of every book I’ve published so far – it doesn’t take a print version to call a story real. A story is real by the simple virtue of being written, as I’ve explained in the linked post above. Someone had spent weeks, months, or years of effort into making this story happen. It is completed and released. That alone, in and of itself, makes a story real. What we’re discussing here is a presentation medium, and having the presentation medium be electronic does not – contrary to whoever tells you otherwise – does not take away from the story being real.

That said, let’s discuss the print book as a medium. Apart from the solid feeling of having it in your hands, the “new book smell” – yes, it’s a beautiful flavor…come on, you know it! – it’s also not as likely to sell for an independent. Personal experience: I moved more Kindle copies per month, invariably, than my CreateSpace prints. When I run a promo on any of my books, the other books sell right alongside the free one. For a self-pub who’s new on the scene, this would mean that e-books are a more viable way to market and make revenue. And, considering that uploading is usually at no cost, it’s a guaranteed profit. To release a print book, you may pay for a proof (or not, since CreateSpace introduced an excellent digital proofing option). You would have to wait for the proof to land, read it, send it to the editor again, make the corrections, lather, rinse, repeat until it’s perfect – a standard that is extremely subjective – and then release it. And then there are the shipping costs in sending out review copies. And then the rigmarole of getting a bookstore to carry them.

But the print book has also been around for 562 years. The e-reader and the idea of having a library on a portable device is still about five years old. You know how they say that old habits die hard. The e-book and e-reader are still new, and they’re a splash in a very established and very stalwart market. We’ve seen the decisions that B&N and the Big Six had made in the wake of the growth of self-pub. Things are not going to change swiftly, but they are changing, whether the people like it or not.

Again, let’s not discount the main crux of it all: the story itself. You’re getting a book, whether or not it’s in printed form or in a file on a reader. It is real, any way you cut it. Any distinction of “more real” or “less real” based on presentation medium, genre, author’s background, publisher or lack thereof, exists only in the head of the person making the statement.

There was also an address of quality control in self-publication, with the assertion that self-pub books are poorly edited, poorly formatted, etc. I won’t deny that such books exist. However, they exist across the board. Major publishers sometimes do not format their e-books well, and proof to the fact are my copies of Philippa Gregory novels and Gone with the Wind. Great stories to read, but the formatting on the e-version, honestly, sucks. I own Philippa Gregory paperbacks. Why is there nothing wrong with the layout, but the e-version lacks paragraph breaks in several locations and is more expensive than the printed version? Let’s get real: if we’re going to do quality formatting, then let’s do quality formatting across. the. board. Don’t tar self-published books with a brush unless you are willing to put all books under scrutiny.

Self-publishers sometimes do work alone. Thusly, the editing quality may lack until they gather enough to hire a professional editor. I will be the first one to admit that someone’s first book will not be edited anywhere near as well as the subsequent books (um, guilty, and not ashamed to admit it). Understandable conditions, right? Right.

Let’s be real, people. Writing, editing, formatting, printing, publishing – being an author is a human endeavor. Human errors will happen. We are becoming a reading culture because, with our digital immersion, we’re reading a lot more (screens, but still: reading words is reading words). Human errors will happen. If that is a deal-breaker for you, that is fine, but you may want to step back and evaluate what’s more important to you in picking up a new book. Some of my favorite books (self and trad alike) are not perfect, but the story is so good that I couldn’t care less about the editing/formatting job. Conversely, some books I had were edited and formatted to perfection, but I just couldn’t finish them worth a damn. While I will never deny that editing and formatting are crucial, none of us are so perfect ourselves to have imperfection be a deal-breaker.

The bottom line is this: a book is a book. How you prefer to read it is entirely up to you, but there is no contest with which one is more “real”. They both are. Whether you like it printed or downloaded, you’re still reading a book. That is what should be the first thing to note in the e-book versus hard-copy debate.

K.G., who has both paperbacks and a Kindle.

http://www.amazon.com/author/katherinegilraine

So yes, I finally got myself a Kindle. And why I didn’t do this before, I have no idea.

The screen: Yes, it’s glare-free. My eyes are immensely, amazingly grateful.

The support: It does handle imported unencrypted PDFs. Of course, I wasted no time in importing everythng I managed to accumulate, including people’s manuscripts that I promised to read and never got the chance. Luckily, Word has a save-as-PDF featurette, which I love very much.

Oddly, while you may have a manuscript in a different language, as I do, you cannot name files in that same language. You get question marks, which – while amusing – does no good. Okay, so titles are translatable. No worries!

Transfer: As simple as a copy/paste.

Do I love it? So far yes. The screen contrast is almost indistinguishable from an ink-and-paper page, which is great. There is no glare whatsoever; the only flaw is that I can’t adjust the text size on an import PDF. If I want to alter the size, I need to actually adjust the text before I save the PDF. Not a big deal.

I’ll see how it handles itself otherwise. It’s definitely a little strange and VERY neat to suddenly be able to carry my entire bookshelf in my purse, but I had a similar impression when I first acquired an iPod.

Gotta love technology!

K.G.